Final Fantasy II – Re-Review

I know guys, I know. I’ve already reviewed Final Fantasy II, which I’ve already stated was a mediocre game. Though that was one of my first reviews written, so it was half-assed. Honestly more could be said about the game. So this is going to do justice to my original review.

Let’s go.

Released in 1988, Square decided that based on the popularity of Final Fantasy, they were going to make a sequel. This time, the development team decided to craft a story first, and then work on the gameplay.  This actually wasn’t a bad idea, and was kind of groundbreaking for the time. They also decided to be ambitious on the leveling up mechanics, while also groundbreaking, it didn’t work so well. More on that later.

Story:

You play as four young characters: Firion, Maria, Guy and Leon, their town was attacked by the soldiers from the evil Palamecia Empire. You barely escape with your necks attached, and you wake up in the town of Altair, home of the resistance fighters. Led by Princess Hilda of Flynn, she wants to restore the former glory of her kingdom, and also stop the evil Emperor of Palamecia. You want to join the resistance, but Hilda says you’re too young and inexperienced. So you go off to find your friend Leon, who went missing in the attack. You then meet Prince Scott of Kashuan, who informs that a rogue soldier from Flynn betrayed them and has joined the Empire, he then dies. You go back to Hilda and give her the news, she decides to have a change of heart, and you are now resistance members. Thus your quest begins!

While the plot has more going on than the original game, and other RPG’s at the time, it’s still a bit archaic. The game mostly consists of reporting back to Hilda several times, and her sending you on a giant scavenger hunt. Go here and find this item, cool, now go here and do this. Oh okay, now to this place and, yeah you get it by now. I get that you’re supposed to be helping out the resistance fighters, but holy hell is this tedious and mostly pointless.

Gameplay:

This is where the game royally fucks up. Gone are the traditional leveling up mechanics of turn based RPG’s, and now there’s a progression system. It makes sense on paper, and a lot of modern games still use it, to a significantly better degree. To increase your attack, you hit things more, to increase magic, you use more magic. So on and so forth.

The problem here, is that the execution of this mechanic just doesn’t work in an old school RPG. It also makes it tedious as all hell. The game wants you to grind like other RPG’s at the time, so you have to sit there and grind EVERYTHING.

Going through all the random encounters in the overworld, your attack will be the first thing to go up. This initially seems fine, as you can start one-shotting all of the enemies on the field, that is, until you get to a dungeon. Well these enemies are much stronger and take several more hits. Well since you’ve been one-shotting enemies until now, your defense is shit, as is the amount of HP you have. Well now you’re royally fucked.

Well how do you level up your defense and HP without going to an inn after every battle? Easy, by beating the shit out of yourselves. One of the most infamous mechanics in this game, is that the fastest way to level up your HP and defense, is by attacking your own party members. The developers put this mechanic in to wake up sleeping party members, but players soon realized that this is the fastest way to level up those stats. So now instead of actually fighting the enemies in the overworld, you spend your time beating the shit out of yourselves, and healing.

Now is a good time to talk about magic in this game, and it sucks. Just like your levels, you level up your spells. Well this game decided that it wanted to be even more tedious, by having each spell have its own separate levels. All your spells start at level 1, and if you want them to not be shit, you have to grind them to at least level 5. Even then, the spells do shit damage. Your regular attacks will do hundreds of damage, but spells, even at level 5 do about 30-50 at most. I just got tired of leveling up my spells because of how much time you spend grinding each spell.

To level up a spell, you have to cast it a bunch. How much you ask? 100 times. So when you get a spell like Ultima and Flare near the end of the game, you have to cast both about 500 times each, and they still only do about 100 damage at most. Luckily like your HP and defense, this is easily exploitable. Due to a glitch in the game, all you have to do is select a spell, then a target, then cancel it. This counts as casting the spell, so if you want to waste time, you can do this about 100 times in a single battle, and your spell will level up. Hurray!

So now your spells are leveled up, but now that they’re leveled up, they take more MP, so now your MP levels are shit. Well with luck doing the exploit, your MP will increase, so after leveling up multiple spells, just cross your fingers that you now have enough MP to cast heal enough times.

One thing you should keep in mind, is that you can never escape a battle. To escape a battle, you luck and evade stats need to level up. Though don’t expect this to level up at all, as this is all based on luck, and it randomly appears. So even by the end of the game, your evade and luck will be obnoxiously low, so you will have to fight every single battle.

This wouldn’t be too bad, if this game didn’t have a ridiculous random encounter rate. I’m not sure if this was fixed in later versions of the game, but in the NES and PS1 version, you can get an encounter with only about 2-10 steps. This is exacerbated when many dungeons have multiple doors that lead you to an empty room. Thanks for wasting my time. It doesn’t help when you enter these empty rooms, you’re teleported to the middle, and you’re guaranteed a battle before you get to the door to leave. I’d recommend using a map to not waste your time.

Then there’s the final fight with the Emperor. Your attacks and defense are high enough to one-shot every enemy in the final dungeon, but once you face the Emperor, you only do 50-100 damage, because his defense is incredibly high. If you have the blood sword, it drains 1/16th of his health, and does a lot better than your other weapons. Just hope you didn’t get rid of it based on your limited inventory space, and it being weaker than the other weapons you’ve obtained. Luckily your defenses are really high, so he also does pretty piss poor damage to you. For me it was just an endurance run, that lasted an entire hour, and after all of my MP was finally drained, he died. Holy fuck was that a schlog.

One feature of the game that’s added, is that you have a rotating fourth member in your party. This isn’t exactly unusual in Final Fantasy games, but I really wished that most of your extra party members weren’t useless. Outside of Minwu, they’re all weak. So now you’re stuck leveling up those characters that are rotated in and out of your party. How much does this game want you to grind?

Music and visuals:

Not much needs to be restated, as nothing has really changed since the old review.

Verdict:

This game is more of a chore than an actual game. Unless you really really really love grinding. Trying to play this game legitimately is not recommended in the slightest. It’s not good game design where you’re pretty much required to abuse exploits in the game. Playing this legitimately would have all your characters incredibly lopsided. I have no idea who thought it was a good idea to have you cast spells multiple times in a legitimate fashion to have it level up to a normal level? Are the spells that significantly weak to compensate for how many times it has to be casted to level up? Why Square why?

This game really only exists for curiosity’s sake, so only play it if you want to see where many of the Final Fantasy tropes got started.

Sword Art Online: Lost Song – Review

Released in 2015 as a sequel to Hollow Fragment on PS3 in Japan only, but was released on the Vita and PS4 outside. This game takes place in ALFheim Online, the second MMO in the anime franchise. Just like Hollow Fragment, this takes place in its own alternate timeline from the anime, and features characters that only exist in the game franchise, such as Phillia and Strea.

Story:

A new expansion to ALFheim Online, this means new areas to explore, and new challenges. Kirito and friends decide to go check it out. Prior to this, Kirito is interested in a professor who goes by the name Seven, and is interested in her studies regarding Virtual Reality. Seven happens to be a player in ALFheim Online, and is the head of the Shamrock guild, the biggest and strongest guilds in the game, especially with her bodyguard Sumeragi. As the game goes on, you meet a mysterious girl named Rain who is following you and Shamrock’s movements.

While the plot initially seems interesting, it’s like the floor clearing portions of Hollow Fragment where the plot is largely non-existant, outside of random parts here and there. Even then, you have no idea what the hell is going on in the story until literally the very end of the game. Right before the final boss fight, the entire plot is revealed. Sure some really great games have done that, and it worked, but the poor execution of the story really has you not caring, especially when it’s almost non-existent until the end. Kirito’s motivation for following Seven? “I’m interested in her experiment”. What does Seven do throughout the game? Nothing. Well she likes hiding from Sumeragi, and popping her head into Agil’s tavern to eat cake and flirt with Kirito.

Spoiler alert: Seven’s the final boss of the game. She becomes evil… kind of… at the very end of the game. Why does Kirito want to stop her when he finds out about her experiment? Because he wants to beat the game. Saving people? NOPE! Is the experiment bad? NOPE!

In a very similar fashion to the previous game, when you complete certain dungeons or events in the game, you are “rewarded”, with random non-story related cutscenes. These cutscenes are really just fanservice to see Kirito dealing with his ever-growing harem. You are treated to scenes like, Kirito hiding a porn mag from Asuna. Strea making Asuna try on underwear, and a swimsuit scene complete with giant tentacle action. Riveting.

Gameplay:

The game feels more like an action RPG than Hollow Fragment. You have a choice between weaker melee attacks, or a stronger melee attack. They give you a limit on your stronger attacks by having it take up stamina. You also have a special attack that takes up SP, and most of these are significantly more powerful than your strong melee. You also have a choice of using magic spells, and in typical RPG fashion, they’re either attacks, or support. In regards to gaining new abilities, this is one of those games where you learn them by using your specials or spells more and more.

Venturing out with a party is significantly upgraded from Hollow Fragment. In that game, you really felt like a one man show, you really only went out with a partner, because you either have to, or you might not want to feel lonely. Here, you get to go out with two party members, and it actually feels like your party members make a difference in gameplay experience. Having two long range attackers, like Asuna and Sinon, can whittle down an enemy from a distance before you go in for the kill. You also have a choice of not even playing as Kirito, or having him in your party at all. This can help change up your gameplay experience, as many of the characters play differently than Kirito, as they have different spells and weapon abilities. Sure you can just have Kirito equip a two handed sword like Strea, but what’s the fun in that?

As this game takes place in ALFheim, the game introduced flying. This will most likely become your preferred method of travel, as flying is significantly faster than walking. Flying has its hit and misses. Aerial combat is a fun gimmick at first, but as the game goes on, it actually starts losing its fun pretty quickly. Especially when enemies start knocking you down from the air. This gets annoying when you’re near a hoard of enemies that you’re trying to kill to complete a hunt, and even more annoying during aerial boss fights. Particularly during the boss fights, there are times where you get knocked down, then you fly back up, and it hits you down again.

Gone are the dating mechanics of the previous game. This is actually a good thing, as it really didn’t add anything to the game, besides saying you banged your favorite girl, and all the trophies you get from it. Instead, at certain points in the game, you’ll see glowing dots in the central hub, and that’ll trigger an event with a girl.

Visuals:

Unlike Hollow Fragment, which was a remake of a PSP game, this one is made from the ground up on the PS3. Thus the graphics do justice to the anime artstyle of the series. Outside of a relatively few FMV cutscenes, much of the story scenes are told through a visual novel style, where the characters are displayed in a cutout style, where you see them talk.

One of the biggest disappointments, is the lack of enemy diversity. The majority of the enemies you see in the first area, are recycled in every single area, but with different color pallets. While a lot of RPG’s like Final Fantasy and Dragon Quest recycle do this practice, they at least have a large cast of enemies. In Lost Song, there’s really about 20 or so enemies, and they’re recycled in every single area and dungeon. The overall area maps look different, but all of the caves and dungeons look almost exactly the same, so it does feel pretty redundant after awhile.

Comparing the two non-Japanese releases, the PS4 version is clearly the better of the two. While the character models aren’t a vast improvement, the overall textures and visual effects look better. Caves have fog on the ground, and there’s blades of grass and more enemies on screen. That’s not to say that you’re getting a poor man’s version on the Vita, as it’s still visually impressive on the handheld.

Music:

The music is pretty decent, yet not very memorable. It’s in a similar style to the anime, and to Hollow Fragment.

 

Verdict:

Lost Song is a pretty decent game. Though unless you’re a fan of SAO, or just looking for a decent length RPG on the PS4 or Vita, you’re most likely not going to get inspired to go and pick up a copy of the game. The game expects you to know who the main cast are, and that will off-put a lot of newcomers.

While combat and lack of dating mechanics make it a step up from Hollow Fragment, it does feel like a significantly shorter game, due to the large amount of things to do in Hollow Fragment.

Music: 6/10.
Visuals (Or Graphics): 7/10.
Story: 5/10.
Content: 7/10.

Conclusion: 6/10

Dragon Quest VIII 3DS – First Impressions

Previously I’ve talked about the mobile version of Dragon Quest VIII, while visually more impressive than the original game on the Playstation 2, the touchscreen nature of a 3D game was kind of awkward. On top of that, it seemed like the text in the battle sequence was squashed together to fit the aspect ratio of the phone screen. Now we have a “true” handheld port of this game on the 3DS.

For those who were salty over the lack of voice acting missing in the mobile version, the voices are back in this version. My only confusion is that they couldn’t get Jessica’s actress back, though maybe the actress from Dragon Quest Heroes is the new canon actress. It’s sort of like how the voice for Chie Satonaka in Persona 4 got replaced, and they’re sticking to it.

Another missing feature, is the beautiful orchestral music. This is probably due to the space limitations of the cartridge format, and also the original Japanese game never had it. While definitely not a deal breaker, it would be a nice feature, but we’re happy that Square actually wanted to release a Dragon Quest game in the US based on the delayed release of both DQ7 and 8.

As for the actual gameplay, it plays very comfortably on the 3DS. The game does play better on a New 3DS, as the second stick makes camera control a lot more at home. Using the trigger buttons are fine when you just rotate the camera left and right, but using the D Pad for camera control is pretty awkward.

They did take something from the mobile port. They took the exclamation points for interactive items. While not a necessity, it’s probably there to easily identify for new players what you can and can’t interact with. While a neat feature, veterans probably won’t pay it any mind.

One of the biggest features in this port, is something Enix has been using in the series since DQ9, is that random encounters are replaced with enemies generated on the field. While the original game didn’t have a crazy rate of random encounters, like say Final Fantasy 2’s PS1 version, or Digital Devil Saga, it does encourage exploration more when you don’t feel bogged down with random encounters. It definitely isn’t an unwelcome modern addition to this game.

Another change taken from DQ9, is with the alchemy pot. Instead of having to walk for a certain number of steps, waiting for your concoction to be done, it not instantly creates your items. A feature that I highly doubt much of anyone is going to complain that’s missing.

One new feature unique to the 3DS version, is that they added in a feature where you can take pictures. Probably added in for the Street Pass feature of the 3DS, it adds a social aspect to the game. Also with this, a guy named Cameron Obscura (real clever Enix), asks the player to embark on a series of picture related missions. You earn stamps, like when you partake in quests in Ni no Kuni, and you might earn some items from it. Not sure really, as I haven’t gained enough stamps, or care about the feature much.

Dragon Quest VIII on 3DS is definitely a great port on a portable device, and you’ll definitely enjoy it for fans new and old alike.

Sword Art Online: Re Hollow Fragment – First Impressions

I know that this is my third post on Hollow Fragment, but strolling around on PSN, I saw the Bamco anime game sales. I saw that this game was on sale for $5, so I figured why not. I beat the original game, so why not dick around in the remaster?

To be honest, I’m not completely sure why this remaster exists. Is it because they were going to make more money with a PS4 version, because the Vita has fairly lackluster sales? Is this game really popular enough to remaster a remake of a PSP game? If it really was that popular, why is it still only available as a digital download? Hell I might have actually paid $20 for a physical copy. They really should have released this alongside the Vita game, like the other two games, and have it cross compatible.

I was initially content with how the game looked on my Vita screen, and it still looked fairly well on the PSTV (or is it the Vita TV?). Not dogging on how it looks on the PS4, I expected it to look better. Though if you owned the original, don’t get your hopes up that much, as it’s really just a much higher resolution version of the Vita game. I will give Bamco credit for having the decency to not have the lower-resolution Vita cutscenes just upscaled to 1080P, like other remasters have.

The game plays pretty much exactly the same, just ditching touch screen features. Though the game does play at a higher framerate, so grinding affection at dating spots doesn’t feel quite as long. If you own the Vita game, you can transfer your save, and play it as a new game plus. It’s sadly not cross compatible like Lost Song, or Hollow Realization.

The game is supposed to be a director’s cut of sorts, I just haven’t researched into what extra stuff was added. In all honesty, if you own the Vita version, you’re not missing out much. It just feels like a game that should have came out a lot earlier, instead of later. If you didn’t, check it out if you want a lengthy JRPG to spend time on.

Sword Art Online: Hollow Realization – First Impressions

Bamco has released the third (well technically fifth) game in the popular anime franchise, Sword Art Online, and this time they decided to go back to the style of Aincrad. While these games have been mixed on a critical level, it must be selling fairly well if Bamco is cranking out a third game, with one of them having been remade, and getting a remastered port, because apparently people want to re-visit Aincrad over and over.

Anywho, this game takes place after Lost Song, and we are graced with the game called Sword Art Origin. A world based off of Aincrad (now called Ainground), and the mythology is that it’s the origin (shocking!) of the world of Sword Art Online. Unlike the previous games, this world is entirely non-canonical with the original franchise (I’m basing this on the fact that I haven’t read the light novels).

The developers seemed to have mixed what people liked from the previous two games, and they decided to mix the two together. The combat plays a lot like Lost Song, but the overall way the game plays is very reminiscent of Hollow Fragment. For those who were sad that the dating mechanic was missing in Lost Song, it’s back in full swing in Hollow Realization.

This time maxing out your favorite girl’s affection is a lot more time consuming. I will give them some credit, that with one of the updates, they sped it up significantly. You get to run around town with your favorite girl, and like Hollow Fragment, you take them to special “date spots”, indicated with a heart. Then you can chat them up, and you can either nod or shake your head depending on their questions.

This is actually pretty time consuming if you’re just trying to grind affection (which doesn’t seem to add anything to gameplay, besides trophies and bragging rights). Before the update, maxing out the level 5 affection was obnoxiously long. I grinded the affection for about two hours straight, and I barely saw any progress. Now you can grind a girl’s affection to max in about 45 minutes. Still pretty long, but beats sitting for several hours to max out one level. Don’t worry perverts, you can still bring a girl to bed and sleep with her, I mean “pillow talk” with her. Wow, my head went to the gutter there, because a girl spewing hearts of affection, and wearing sexually suggestive clothing, is going to just share a bed with a guy and not have sex. Hopefully Kirito can’t get virtual HIV from Yuuki. Sorry for the dark joke guys, won’t happen again.

So far the story here is actually kind of interesting. You meet an NPC named Premiere (minor spoiler), and her position in the game is very confusing. She comes off like a defunct NPC, but as the game progresses, you slowly discover her purpose. Also there’s something about NPC’s becoming more humanlike, kind of like Yui and Strea, but for the entire game. Also when they die, they die forever. Hopefully this is actually explored in a good way, because Seven’s experiment in Lost Song was incredibly lackluster.

So far I’m enjoying the game, the goofy cutscenes aren’t as frequent as Hollow Fragment, and so far aren’t as ridiculous. It’s also nice seeing Argo getting a bit more spotlight, as she’s very humorous, and is the only girl (besides Yui for obvious reasons), that isn’t trying to get into Kirito’s pants. Though SAO fans, don’t worry, your hero Kirito is still dimwitted when it comes to girls.

Sword Art Online: Hollow Fragment – Review

Released in 2014, Hollow Fragment is an enhanced remake of the first Sword Art Online game, Infinity Moment. With updates like better graphics, arguably a better combat system, and an entire new area with its own story arc, the Hollow Areas. Though sadly, the Hollow Area feels like it should have been its own separate game, as it doesn’t flow seamlessly with the main game.

Story:

The game takes place in the virtual game of the show’s namesake, and you play as series protagonist Kirito in the climactic final battle against Heathcliff. The game takes place in an alternate timeline from the anime, where after Heathcliff’s defeat, a glitch in the system prevents them from beating the game, thus keeping them trapped in the game. The characters appear on floor 76, and find out that they are no longer able to go back to the previous floors. They then realize that they must complete the remaining floors and follow the game’s intended purpose of reaching the 100th floor.

This portion of the game is the remake of Infinity Moment, and probably the worst part about the game, especially in the story department. It’s largely non-existent up until you get to floors in the 90 region, and even then, you get random fragments of it here and there until the end.

So prior to the higher floor levels, the “story” is really just snippets of Kirito and his friends doing random things. These occur after clearing a floor, and when you are teleported back to the town, you have the choice of either talking to certain friends, or just ignoring it to go to the next floor. The majority of these scenarios are of the game showing Kirito’s relationship in his harem. These scenes either consist of the various girls trying to get in his pants, or the more humble scenes with Kirito just spending time with his wife Asuna and their “child” Yui. The group scenes usually have Kirito getting bitched at, or Klein being the group punching bag.

In this portion, they introduce Strea, who is only present in the game franchise. Not only is she the most forward with trying to get into Kirito’s pants, she’s also the only one with the story that’s relevant to the plot.

The second portion of the game involves the Hollow Area. This entire segment that’s original to the remake. This is also the part that has the most interesting story. Kirito gets transported to a forest, and comes across a girl with an orange cursor who tries to attack him (the cursor indicates she’s killed someone).

The fight is disrupted when a giant boss creature attacks the two of them, and they cast their differences aside and realize that dying is more important than fighting. After defeating the boss, the girl introduces herself as Philia, and only attacked him because she mistook him for the people who were after her. She explains they’re in a place called the Hollow Area, and she’s trapped there. Kirito decides to help her out while discovering the mystery of the Hollow Area.

This is the more interesting portion of the game. The main game of clearing floors gets kind of bland and boring after awhile, and it shows that the creators ran out of ideas for floors as the game went on. This one is more interesting, as there’s actually a story, and also has the major plus of not dealing with the harem. You can choose whoever you want for your partner in the Hollow Area, but sticking with Philia is the best bet for plot relevancy.

 

Gameplay:

The game plays in an action-RPG format, with standard leveling up mechanics. Though you start the game at level 100, and gaining levels actually takes quite a long time. So unlike traditional RPG’s where it implies that you just level up, this game makes you focus more on strategy and skill than just using brute force. You can grind, but for the early parts of the game, it takes a significant amount of time, so you might as well save your time and just take on the challenge.

You have burst attacks which lets you do significantly more damage to enemies. You can activate them by just attacking a certain amount of times to do it. When you learn more skills, you can actually attach them to hot keys to activate them whenever you want. Because of how powerful they are, they place a limit on them by having them take SP. You only get 300 SP and these skills take 100 SP. These do a lot to normal enemies, but when it comes to bosses, or when you’re at a low level with low level equipment, they start doing significantly less damage.

Bosses in Aincrad and the Hollow Areas play a bit differently. The floor bosses are conducted in a raid. So you have a large group of AI characters attacking the boss. They’re largely useless, and you’re still doing all the work, but it keeps the boss off your tail when you need to run off and heal. They also don’t really do much when it comes to attacking. They feel like the regular enemies, but with a large amount of HP.

Hollow Bosses on the other hand, are where the real challenge is. It’s just you and your partner. The bosses also feel like an actual boss, where they have multiple attack patterns. These require a lot more strategy than the floor bosses.

The game lets you go out with a partner, and partners do make the experience a lot better. They can also use burst attacks and such, so essentially adding the damage to bosses. The problem with partners, is that it doesn’t really matter who you have, as they all play the same. So you really just go out on a romp with your favorite girl and just go on with that.

One aspect of the game that’s probably the most obnoxious is dealing with the affection system. Unlike the Persona games where it gives characters advantage in battle, and also lets your summons get EXP boosts, this game doesn’t really do that. The only advantage to increasing affection is that you can change a girl’s equipment. The two ways you increase their affection is by praising them in battle, or by walking around town with them by “talking” to them. By talking to them means that you initiate a conversation in certain areas in town when they pop out a yellow word bubble. This is where you just spam a correct answer until their meter fills up. When their affection reaches a certain level, you can bridal carry them to your room, and you “spend the night” with them.

This feature really does nothing for the game, unless you’re going for trophies. So it’s safe to say it’s there to just please the fans to brag that they slept with their favorite girl.

Visuals:

The graphics aren’t bad. It’s definitely a bit more blocky due to it being a PSP remake, but it’s still a night and day difference. It is kind of disorienting when you get a closeup of the ground, and the texture is pixels, but it really could be a lot worse.

The dialog scenes are all in a visual novel style, where it shows a “cutout” of the characters speaking. The developers probably did this to save time and space with how many there were. It’s kind of boring seeing it this way, but it does let you speed through all the bullshit scenes.

The game does have a few FMV scenes, they could be really enjoyable, and the quality is there, but there’s significant playback issues. It’s really hard to watch a video when its stuttering. It’s like the developers thought that the video should load while its playing, instead of giving you a loading screen, which would be nice, but they didn’t optimize it at all. Luckily the later games are better optimized.

 

Music:

The OST has a style that’s typical to JRPG’s with an orchestrated feel, and it’s well done, but not very memorable. It’s very well done, but with all the different areas and floors, but with a limited soundtrack, it does get kind of redundant after awhile. Particularly with the music in the various floors.

 

Verdict:

Hollow Fragment is a pretty decent game, though heavily flawed in the story department, particularly with the story in Infinity Moment. The fact that every time you clear a floor “rewards” you with a scene of Kirito getting in trouble with one or all of the girls, or just a bullshit fanservice scene sometimes makes clearing a floor not worth it.

The Hollow Area is where the game really shines, the challenging bosses, and pretty interesting story makes this portion of the game worth playing. The entire game as a whole, is definitely catered to fans of the series. Excluding the game original characters, the game basically implies that you already know who the rest of the cast is, and all that happened before the events of the game. So unless you just want to jump in blind, it’s probably best you’re familiar with the show before you go in.

A definite plus about this game, is that there is a lot you can do in the game. It is definitely not hard to drop close to 100 hours in the game. The two main portions of the game are both pretty lengthy, along with the two bonus areas: the Concealed Area, and the Discard Area. The two bonus areas will definitely add several hours to your play time.

The game is definitely worth a play for fans of the show, but if you’re not, and if you definitely don’t like anime harem tropes and scenes, then stay far away.

Music: 6/10.
Visuals (Or Graphics): 7/10.
Story: 6/10.
Content: 8/10.

Conclusion: 7/10

Dragon Quest VII Remake – First Impressions

About a year ago, I reviewed the original Dragon Quest VII, and is a game I quite enjoy. It’s a game that’s infamous for its length, though apparently a game very few people have actually seen the end of. It’s a game that’s fairly difficult for keeping people’s attention to the very end. The game also takes a really long time for you to level up, while it does artificially inflate the time, it’s still a really long game regardless.

15 years later, I finally get my hands on what I hope is the definitive version of the game. The graphics in the original were a bit dated for being a late release on the original Playstation. The remake looks very good. It’s nice seeing the characters moving their mouths when they’re talking, including the NPC’s. While the music isn’t orchestrated, the midi soundtrack sounds pretty good so far.

What might be a drawback for those who loved the inaccessible aspects of the original games, would be how aspects of the game feel a bit streamlined and toned down. A lot of the beginning was cut out to get you to the action a lot faster. In the original game, it was a good two hours or more to go through the beginning dungeon, and you finally get to your first battle. In the remake, I was 90 mins in, and already on level 5. What this also means, is that leveling up doesn’t seem to take as long, well so far at least.

The beginning of the original game did do a good job at making you curious at the mystery in that shrine, it does seem odd to have a scavenger hunt to get you to the dungeon, and an even longer time going through a lengthy dungeon with lots of puzzle solving. Most RPG’s try to get you to the action in the beginning to introduce you to the battle system, which is what you’ll be dealing with a majority of the time. The original game? Nah wait 3 hours.

One aspect of the remake that I feel makes things less annoying, is the tracker for the shards. In the game, you collect shards to unlock pedestals to access further places in the game. The original game had you search every nook and cranny in the hopes to find them. The remake makes that a lot easier, there’s an indicator that flashes one is nearby. I’m sure somebody out there enjoyed that the original game had you search high and low for them, but honestly, it makes it annoying to backtrack in the hopes of finding a shard. This is one of those cases where making it easier is a lot helpful.

The remake of the game so far is very promising, and honestly, I’m not sure how they could really mess it up. ArtePiazza’s remakes of other Dragon Quest games are very faithful and very good remakes, so there shouldn’t be any way they could ruin this remake.